"What a life for a couple of nudes!" Two dancers find a new way of doing their bit for the boys in this frothy wartime propaganda short. Lord Kitchener's famous finger persuades Joan and Ireen, dancers in a 'Non Stop Nudes' revue (not that we see anything that warrants that title), to make a radical career change. Swapping their skimpy costumes for dowdy munitions factory overalls, they join a growing domestic army of women keeping the machines rolling. Belfast-born Brian Desmond Hurst was essentially a feature film director, whose best-remembered work is the Dickens adaptation Scrooge, but whose credits also included the war films Dangerous Moonlight (1941) and The Malta Story (1953). The Call for Arms was one of three propaganda shorts he made between 1940 and 1941, the most memorable being Miss Grant Goes to the Door, in which a pair of village spinsters outwit a Nazi paratrooper.

Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.

Robson Arms follows the lives of the tenants in a once-grand low-rise in Vancouver's eclectic West End. The building is home to an unlikely collection of characters who live under one roof, yet occupy different worlds. One thing is certain, you'll never see your neighbours the same way again.

Charlie Sheen narrates, as cast and crew share their personal experiences making the Academy Award winning film, Platoon. This non-union, low budget, independent film was cast almost exclusively with young, unknown actors making their first film. Together they share their first hand accounts of the grueling boot camp, Oliver Stone's "unique" directing style, and the brutal filming conditions that together forged their eternal brotherhood.

The story behind a critical moment in American history, spawning one of most iconic images of protest from the past century. At the 1968 Summer Olympics in Mexico City, the world watched as two American runners, Tommie Smith and John Carlos, took the stage as the U.S. national anthem played, raising their fists in a symbol of black struggle and solidarity.

During the mid 1860s, brothers Dick and Jim Marston are drawn into a life of crime by their ex-convict father Ben and his friend, infamous cattlethief Captain Starlight. Making their way to Melbourne with the proceeds of a recent raid, the brothers meet and romance the Morrison sisters, Kate and Jean, whom they eventually marry; but just as they are poised to start a new life in America, Captain Starlight and his gang arrive in town, planning a raid at the local bank.

The two 'most wanted' cowboys in the New Mexico territory ride into Corazon for one last job - to rob the ruthless town boss.

Two brothers tragically separated after a destructive childhood accident - one becoming a relentless police officer, the other a rising crime leader - find themselves on a collision course to reunite as family loyalties are challenged and fates align in midst of a major arms deal in modern Los Angeles.

An examination of the politics of naming, belonging, and cartography. Maps blur and names shift as the filmmaker questions colonial logics of place and identity, asking: how do we rename ourselves in a world that has already named - and claimed - so much?

Danny and Phil O'Donnell are chronically underachieving cousins, who are forced to run the family pub, in order to save their crazy Uncle Pete from jail and financial destitution. The boys instigate a number of hilarious schemes, from turning the pub into a strip club to a high school speakeasy, just to keep it afloat.